Virginia Museum of Fine Arts (VMFA) in Richmond, Virginia is hosting the Yves Saint Laurent: The Perfection of Style exhibit in the summer 2017.
The Virginia Museum of Fine Arts will become home to the distinguished Yves Saint Laurent: The Perfection of Style exhibit. This one-of-a-kind exhibit showcases selections from the legendary designer’s 44-year career, drawn from the collection of the Fondation Pierre Bergé with new acquisitions that have never been shown publicly before. The exhibit includes 100 examples of haute couture and ready-to-wear garments revealing Saint Laurent’s artistic genius, as well as his working process, and the sources of his design inspiration.
VMFA is the only East Coast venue for the exhibition. In addition to haute couture ensembles and ready-to-wear clothing, Yves Saint Laurent: The Perfection of Style includes costume jewelry and other accessories, photographs, drawings, films, and video from the Fondation’s vast archive. The exhibit will run through the end of August.
alice + olivia by Stacey Bendet is proud to announce that the late Neo-expressionist artist and frequent Andy Warhol collaborator Jean-Michel Basquiat has been selected, through the Basquiat Estate, as the partner for the second capsule collection that will help support the Council of Fashion Designers of America’s efforts to promote young talent. The collection, shown as part of the alice + olivia Resort 2017 season, will land in stores and online in November 2016.
Jean-Michel Basquiat earned his recognition in the art world before the age of 27, even gaining the title of youngest artist to be given a solo show at the widely respected KestnerGesellschaft gallery in Germany. His personal achievements and participation in an American art movement that ushered in a wave of young new artists make Basquiat the perfect next partner for the promotion of young artists within the fashion industry.
As part of the partnership with the CFDA, alice + olivia works with a new artist each year to create a capsule collection that will be available for purchase at all alice + olivia by Stacey Bendet stores, aliceandolivia.com, and other retail partners with 50% of the proceeds from select items donated to the CFDA.
Stacey Bendet, CEO and Creative Director of alice + olivia, says, “Jean-Michel Basquiat is one of my favorite artists. This partnership is exciting for me as it is very reflective of my brand and our continued collaboration with artists. It is also wonderful to be able to raise funds for the CFDA and support their ongoing initiatives within our industry that develop new talent.”
The new collection includes a variety of unique apparel pieces, accessories and gifts that feature iconic elements of Basquiat’s art, such as the golden crown and colorful, street-art inspired design, mixed with alice + olivia’s whimsical and feminine touch. “Beat Bop” 1983, “Replicas” 1983, “Ascent” 1983, “In Italian” 1983, “Panel of Experts” 1982 and “Notary” 1983 are some of the artist’s famed works that Bendet cites as inspiration for the capsule collection. Elements of these iconic works can be seen throughout the collection of apparel, accessories, and gifts. Bendet delivers a modern interpretation of Basquiat’s iconic artworks with the incorporation of beadwork and embroidery details which add a dimensional element to the iconic Basquiat works as they come to life in the form of dresses, tops, skirts, jackets, handbags, shoes, eyewear and more.
Steven Kolb, President and CEO of the CFDA, says, “We could not be more appreciative of Stacey Bendet and her work to help us in our cause to advance up-and-coming fashion talent. Thanks to this initiative, the support we will be receiving from alice + olivia is of great value to our organization.”
For the first CFDA capsule collection, debuted in April 2015, Bendet partnered with celebrated artist Domingo Zapata, a Spanish-American who has studios in New York, Miami, and Hollywood. Zapata’s pieces created for the partnership included a hand-painted ball gown, hand-painted full-length skirt, and custom two-piece skirt with a matching leather bustier featuring piping in a print painted by Zapata, all of which were auctioned off by Paddle8 with 100% of proceeds benefiting the CFDA.
ALICE + OLIVIA BY STACEY BENDET
Launched in 2002, alice + olivia by Stacey Bendet is a brand that allows customers to express their personal style. With collections that juxtapose the whimsical and flirty with the sexy and sophisticated, a+o epitomizes the personality and sensibility of its founder, Stacey Bendet. The brand was born from Stacey’s quest to create the perfect pair of pants, and has since grown into a full lifestyle collection including ready-to- wear, gowns, shoes, accessories and handbags. Pulling inspiration from the world around her, Stacey incorporates bold colors, unique prints, and eclectic details to create vibrant and dynamic pieces. The brand is a Hollywood favorite with celebrity fans including Beyoncé, Gwyneth Paltrow, Katy Perry, Sarah Jessica Parker, Michelle Obama and Taylor Swift. alice + olivia by Stacey Bendet is available at aliceandolivia.com, over 30 free-standing boutiques located in major cities around the world including, New York, Los Angeles, San Francisco, Tokyo, Hong Kong, Dubai, Singapore, as well as over 800 of the finest department and specialty stores worldwide.
Jean-Michel Basquiat was born on December 22, 1960 in Brooklyn, New York. His father, Gerard Basquiat was born in Port-au-Prince, Haiti and his mother, Matilde was born in Brooklyn of Puerto Rican parents. Early on, Basquiat displayed a proficiency in art, which was encouraged by his mother.
In 1978 Basquiat left home for good and quit school just one year before graduating form high school. He lived with friends and began selling hand painted postcards and T-shirts. In June of 1980, Basquiat’s art was publicly exhibited for the first time in a show sponsored by Colab (Collaborative Projects Incorporated) along with the work of Jenny Holzer, Lee Quinones, Kenny Scharf, Kiki Smith, Robin Winters, John Ahearn, Jane Dickson, Mike Glier, Mimi Gross, and David Hammons. Basquiat continued to exhibit his work around New York City and in Europe, participating in shows along with the likes of Keith Haring, Barbara Kruger.
In December of 1981, poet and artist Rene Ricard published the first major article on Basquiat entitled “The Radiant Child” in Artforum. In 1982, Basquiat was featured in the group show “Transavanguardia: Italia/America” along with Neo-Expressionists Sandro Chia, Francesco Clemente, Enzu Cucchi, David Deutsch, David Salle, and Julian Schnabel (who will go on to direct the biographical film Basquiat in 1996). In 1983 Basquiat had one-artist exhibitions at the galleries of Annina Nosei and Larry Gagosian and was also included in the “1983 Biennial Exhibition” at the Whitney Museum of American Art. It was also in 1983 that Basquiat was befriended by Andy Warhol, a relationship that sparked discussion concerning white patronization of black art, a conflict that remains, to this day, at the center of most discussions of Basquiat’s life and work. Basquiat and Warhol collaborated on a number of paintings, none of which are critically acclaimed. Their relationship continued, despite this, until Warhol’s death in 1987.
On February 10, 1985, Basquiat appeared on the cover of The New York Times Magazine, posing for the Cathleen McGuigan article “New Art, New Money: The Marketing of an American Artist.” In March, Basquiat had his second one-artist show at the Mary Boone Gallery. In the exhibition catalogue, Robert Farris Thompson spoke of Basquiat’s work in terms of an Afro-Atlantic tradition, a context in which this art had never been discussed.
In 1986, Basquiat travelled to Africa for the first time and his work was shown in Abidjan, Ivory Coast. In November, a large exhibition of more than sixty paintings and drawings opened at the Kestner- Gesellschaft in Hannover; at twenty-five Basquiat was the youngest artist ever given an exhibition there. In 1988, Basquiat had shows in both Paris and New York; some critics, an encouraging development, praised the New York show.
Primary source for biography: Sirmans, M. Franklin. “Chronology.” Jean-Michel Basquiat. Ed. Richard Marshall. New York: Whitney/Abrams, 1992. 233-250.
The Council of Fashion Designers of America, Inc, (CFDA) is a not-for-profit trade association founded in 1962 that leads industry-wide initiatives and whose membership consists of more than 500 of America’s foremost womenswear, menswear, jewelry, and accessory designers. The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion In the global economy.
The cool and tasty Chocolate Art Gallery at the annual San Francisco International Chocolate Salon event (www.SFChocolateSalon.com) features chocolate skulls, diamonds, dresses, statues, zen gardens, cakes, and even Legos in Scharffen Berger Chocolate.
The Chocolate diamonds come from Chocolatines outside of Chicago, and the zen garden and legos were created by the International Chocolate Salon.
Woot Bear Gallery, BIC and Bombastic Fantastic recently hosted “Vive La Lolligag!”, a popop art exhibition.
TasteTV chats with style guru Vas Kiniris, founder of the retail furnishings and furniture boutique, Zinc Details, about what’s hot in the world of design.
TasteTV: How are Scandinavian, Japanese different than other kinds of designs in the home?
VAS: After studying and working as architects in the Bay Area,Zinc Details was founded over 20 years ago by me and my wife, Wendy. At that time modern design wasn’t valued and people were looking to postmodernism for inspiration. Most design was decorative and overdone. Think fleur de lys, porticoes and colonnades everywhere… We were interested in a parred down aesthetic that promoted a “less is more” aesthetic but with soul! We liked to showcase the beauty and integrity of the natural material, and the clarity of the design. Also true innovation without being gimmicky or kitsch! For us, the Scandinavian and Japanese aesthetic clearly exemplified these design points. Both cultures appreciate the natural beauty of the materials and clarity of design. Also both cultures draw inspiration from their long history of design and crafts! These days we look for these qualities in all cultures and we are constantly inspired by all the countries and communities we travel to, near and far!
VAS: In addition to our ever evolving range of national, international and local furnishings, we also carry a select curated selection of housewares. Again we take inspiration from the Scandinavian aesthetic of well made timeless and versatile design classics, new and old! We also carry a select range of vintage accessories which, in our opinion, really make a house into a home! We encourage our customers to mix and juxtapose products from all over the world, and different eras too! So a vintage Japanese teapot can mix seamlessly with a set of Finnish tea cups and presented on an Italian tray!
VAS: We love design and we love to seek innovation and integrity of materials in our lives! We are also contemporary American designers living and working on the West Coast. This is important because we are multicultural and constantly inspired by the world around us. It’s second nature for us to mix seemingly disparate cultures and eras into our lifestyle. This is what we are constantly showcasing in our store.
My wife and I are also come from different cultural backgrounds and we bring our rich cultural backgrounds and experiences to Zinc Details. I was born in Greece and raised in the Bay Area and Wendy is a third generation Japanese-American who was born in Boston and grew up in Texas!
TasteTV: Is the design community doing anything that you find particularly exciting?
VAS: I am particularly excited by the design community’s movement toward design that isn’t based on meaningless consumption and non-trends. Many designers are now drawing inspiration from ago old crafts which are indigenous to their culture or country. So there’s a cultural foundation to their products! The worlds of craftsman and designers are finally coming together!
TasteTV: What about the younger designers, how are they getting their names out there and their foot in the door?
VAS: When we first opened our store, we only carried products by local artists and craftspeople! These days there is a strong community of designers who are crafting and producing products right in the Bay Area! Designers are getting their names our there by forming groups and associations which give them a louder voice in the design community. IE Renegade Fair and the American Made. They are also using pop-up shops and social media to get their names out to the public! They are definitely more innovative and resourceful bunch!
TasteTV: Have you noticed any trends since you opened the store?
VAS: The local movement has finally hit the design scene. There’s an awareness and pride in the local design/artist scene. People are looking for an authentic design that speak to the local design scene.